Tag: ODD/OTT?

  • WΔZ

    this is not a review.

    The Price equation (also known as Price’s equation) is a covariance equation which is a mathematical description of evolution and natural selection. The Price equation was derived by George R. Price, working in London to rederive W.D. Hamilton‘s work on kin selection.


    Running time: 104 mins
    Starring: Stellan Skarsgard, Melissa George, Ashley Walters, Selma Blair

    now i’m probably not the best movie critic in the world – but there’s something about this movie that makes me want to tell you about it.

    WΔZ is brittish film noir where i least expected it. if you like your movies to be largely self-explanatory, you’re going to hate this one. Tom Shankland (director) doesn’t breast feed you with his feature film debut. i’m not exactly sure what he does. but it’s still preying on my mind.

    there’s some blood, some gore, grime and questionable acting – but the implication i picked up on at the end of the movie threw me completely.

    no, i don’t think it’s the best movie ever. in fact, a few minutes into the movie i was convinced that i’d thoroughly hate it. you’ll probably think so too – even afterwards. watch it, though. because i want you to.

  • bonfire of the vanities

    let me see if i can get some reaction out of the ‘sphere today. can you think of a plot?
    here’s a list for you to ponder:

    dramatis pesonae:
    the hairdresser: Maurice
    the pianist/interiors dealer: Miguel (Maurice’s life-partner)
    the art dealer: Cobis
    the clinic’s pre-admissions clerk: Jean (Cobis’ life partner)
    the clinic’s liaison officer: Jobe
    the printer/writer: Guillermo

    ingredients:
    3 course dinner
    Liza with a “Z” (dvd)
    Barbara Streisand CD collection

    Scene:
    Cobis & Jean’s house with a view of the bay.
    saturday
    fall 2008

  • Tree of Art in the Limpopo Province

    there’s an e-mail doing the rounds about an amazing art tree in the limpopo province. amazing as it is, this is not a real baobab that some savant spent half a millennium carving into a monument to his erotic fixation with martian women.
    sorry to burst the bouble, people, but these pictures are of disney world’s “tree of life“.




    awesome? certainly.

    worth clogging up every inbox south of atlantis? no.

    i wish people would think before forwarding bull:

    1. no-one sends you money for every mail you forward. spam doesn’t pay.
    2. the angel of death will not weld your rectum shut if you don’t forward spam.
    3. photos of mutant weredonkeys are fake. calm down to a panic and hit “delete”.
    4. no government or super lottery uses yahoo accounts. they can afford their own domains. duh.
    5. doctors, kings, princes and deranged necromancers that offer you gazillions of dollars from some unattended spanish inheritance trust in nigeria are evil. give them your details and the angel of death will disembowel your smurf collection.
    6. spamming 7 people in 7 minutes will not bring you great fortune in 7 hours. nor will your long deceased great grandfather knock on your door at 7am to ask for some fresca.
    7. spamming 70 people, though, will magically invoke the demonic twin of chuck norris. pull yourself towards yourself and run – this dude doesn’t wear pajamas…
    8. if you really want to know what color my underwear, favorite cyanide cocktail or answer to furry nipples is – phone me.
    9. i am not a better friend for returning/forwarding money-fairy emails. real friends will haul your delusional behind to the insane asylum, where nice people in padded rooms will talk to you about being napoleon and their passion for flying circumcisions.
    10. sending $50 to someone you don’t know is very kind. you will not, however, find a yacht in your slippers in the morning.

    *sigh* i feel better now.

  • American Idol: Texas auditions

    http://www.captainhops.com/wp-content/photos/thumb_the_scream.jpg
    Ever heard one of these on a hot tin roof? Or in heat? Then you haven’t been watching the latest installment of American Idol – have you now…

    I cant watch everything – it’s excruciating! Just now, a very “bubbly” (not) girl attempted a Celine Dion number. “If… I…” or something. I had to get up, come to my room and write this up. I get embarrassed! Too embarrassed to stay in front of my TV – but too enthralled to not want to go back and take in some more. (I’m a masochist that way.)

    Right. Better now. Let’s go for some more wondrous torture!

    Blogged with Flock

  • Everything is easier in America…

    Apparently, you can even do a course on “How to be gay” over there!
    Check this out:

    >> A course taught by professor David Halperin at the University of Michigan has been getting some attention recently. “How to be Gay: Male Homosexuality and Initiation” examines “the general topic of the role that initiation plays in the formation of gay male identity” via writing, studying it as a “sub-cultural practice”, and conducting some sort of self-reflective class experiment.

    It’s actually a class that has been taught, and has inspired controversy and discussion, for a few years.

    “In particular, we will examine a number of cultural artifacts and activities that seem to play a prominent role in learning how to be gay: Hollywood movies, grand opera, Broadway musicals, and other works of classical and popular music, as well as camp, diva-worship, drag, muscle culture, taste, style, and political activism. Are there a number of classically ‘gay’ works such that, despite changing tastes and generations, all gay men, of whatever class, race, or ethnicity, need to know them, in order to be gay? What is there about gay identity that explains the gay appropriation of these works? What do we learn about gay male identity by asking not who gay men are but what it is that gay men do or like? One aim of exploring these questions is to approach gay identity from the perspective of social practices and cultural identifications rather than from the perspective of gay sexuality itself. What can such an approach tell us about the sentimental, affective, or subjective dimensions of gay identity, including gay sexuality, that an exclusive focus on gay sexuality cannot? At the core of gay experience there is not only identification but disidentification. Almost as soon as I learn how to be gay, or perhaps even before, I also learn how not to be gay. I say to myself, ‘Well, I may be gay, but at least I’m not like that!’ Rather than attempting to promote one version of gay identity at the expense of others, this course will investigate the stakes in gay identifications and disidentifications, seeking ultimately to create the basis for a wider acceptance of the plurality of ways in which people determine how to be gay.”

    Then there’s the alternative method: six beers, an off-campus party, and that hot freshman from down the hall you’ve been studying from afar. <<