Tag: academia

  • Hell hath… well… nothing, by the looks of it

    You gotta love this guys explanation of Hell…
    The following is an actual question given on a University of Washington chemistry mid-term.

    The answer by one student was so “profound” that the professor shared it with colleagues, via the Internet, which is, of course, why we now have the pleasure of enjoying it as well:

    Bonus Question: Is Hell exothermic (gives off heat) or endothermic (absorbs heat)?

    Most of the students wrote proofs of their beliefs using Boyle’s Law (gas cools when it expands and heats when it is compressed) or some variant.

    One student, however, wrote the following:

    First, we need to know how the mass of Hell is changing in time. So we need to know the rate at which souls are moving into Hell and the rate at which they are leaving. I think that we can safely assume that once a soul gets to Hell, it will not leave. Therefore, no souls are leaving.

    As for how many souls are entering Hell, let’s look at the different religions that exist in the world today. Most of these religions state that if you are not a member of their religion, you will go to Hell. Since there is more than one of these religions and since people do not belong to more than one religion, we can project that all souls go to Hell.

    With birth and death rates as they are, we can expect the number of souls in Hell to increase exponentially. Now, we look at the rate of change of the volume in Hell because Boyle’s Law states that in order for the temperature and pressure in Hell to stay the same, the volume of Hell has to expand proportionately as souls are added.

    This gives two possibilities:

    1. If Hell is expanding at a slower rate than the rate at which souls enter Hell, then the temperature and pressure in Hell will increase until all Hell breaks loose.
    2. If Hell is expanding at a rate faster than the increase of souls in Hell, then the temperature and pressure will drop until Hell freezes over.

    So which is it?

    If we accept the postulate given to me by Teresa during my Freshman year that, “It will be a cold day in Hell before I sleep with you,” and take into account the fact that I slept with her last night, then number two must be true, and thus I am sure that Hell is exothermic and has already frozen over. The corollary of this theory is that since Hell has frozen over, it follows that it is not accepting any more souls and is therefore, extinct… leaving only Heaven, thereby proving the existence of a divine being which explains why, last night, Teresa kept shouting “Oh my God.”

    This Student Received The Only “A”.

  • Funny metaphors used in high school essays

    I just received the following e-mail from a friend in Oman – and I very nearly wet myself!

    THIS is why I want to teach Creative Writing!
    _________________________________
    Just in case you need some writing inspiration. Every year, English teachers from across the USA can submit their collections of actual analogies and metaphors found in high school essays. These excerpts are published each year to the amusement of teachers across the country. Here are last year’s winners:

    1. Her face was a perfect oval, like a circle that had its two sides gently compressed by a Thigh Master.

    2. His thoughts tumbled in his head, making and breaking alliances like underpants in a dryer without Cling Free.

    3. He spoke with the wisdom that can only come from experience, like a guy who went blind because he looked at a solar eclipse without one of those boxes with a pinhole in it and now goes around the country speaking at high schools about the dangers of looking at a solar eclipse without one of those boxes with a pinhole in it.

    4. She grew on him like she was a colony of E. coli, and he was room temperature Canadian beef.

    5. She had a deep, throaty, genuine laugh, like that sound a dog makes just before it throws up.

    6. Her vocabulary was as bad as, like, whatever.

    7. He was as tall as a six-foot, three-inch tree.

    8. The revelation that his marriage of 30 years had disintegrated because of his wife’s infidelity came as a rude shock, like a surcharge at a formerly surcharge-free ATM machine.

    9. The little boat gently drifted across the pond exactly the way a bowling ball wouldn’t.

    10. McBride fell 12 stories, hitting the pavement like a Hefty bag filled with vegetable soup.

    11. From the attic came an unearthly howl. The whole scene had an eerie, surreal quality, like when you¹re on vacation in another city and Jeopardy comes on at 7:00 p.m. instead of 7:30

    12. Her hair glistened in the rain like a nose hair after a sneeze.

    13. The hailstones leaped from the pavement, just like maggots when you fry them in hot grease.

    14. Long separated by cruel fate, the star-crossed lovers raced across the grassy field toward each other like two freight trains, one having left Cleveland at 6:36 p.m. traveling at 55 mph, the other from Topeka at 4:19 p.m. at a speed of 35 mph.

    15. They lived in a typical suburban neighborhood with picket fences that resembled Nancy Kerrigan’s teeth.

    16. John and Mary had never met. They were like two hummingbirds who had also never met.

    17. He fell for her like his heart was a mob informant, and she was the East River.

    18. Even in his last years, Granddad had a mind like a steel trap, only one that had been left out so long, it had rusted shut.

    19. Shots rang out, as shots are wont to do.

    20. The plan was simple, like my brother-in-law Phil. But unlike Phil, this plan just might work.

    21. The young fighter had a hungry look, the kind you get from not eating for a while.

    22. He was as lame as a duck. Not the metaphorical lame duck, either, but a real duck that was actually lame, maybe from stepping on a land mine or something.

    23. The ballerina rose gracefully en Pointe and extended one slender leg behind her, like a dog at a fire hydrant.

    24. It was an American tradition, like fathers chasing kids around with power tools.

    25. He was deeply in love. When she spoke, he thought he heard bells, as if she were a garbage truck backing up.
    _________________________________

    LMAO – someone please tell me there’s a website with all of these!

  • I spy with my little eye

    Browsing through some photostreams on my People sidebar in Flock, I recognized myself in Tresblue’s “Second Mossel Bay Seminar” set. It was an Internet Marketing seminar he hosted for the company webactiv8 – which I thoroughly enjoyed and, as a matter of fact, seriously motivated me to nurture my (then fledgling) blog.

    Kudos!

    Now for the pics:

    Yes, I wear crocks with socs in winter.
    I am multitask.
    I say the darnest things…
    (mind the emerging bald patch)
    We giggle, we learn.
  • Mark Twain on Memetics

    Not sure how memes work?
    This Wikipedia entry might help as well:

    A Literary Nightmare” is a short story written by Mark Twain in 1876. The story is about Twain’s encounter with a virus-like jingle, and how it occupies his mind for several days until he manages to “infect” another person, thus removing the jingle from his mind. The story was also later published under the name “Punch, Brothers, Punch!”

    The story is significant in that it is a fairly accurate description of a meme, and how it can replicate itself in a short time, thus acting like a virus in some respects.

    (In a nutshell, the story goes a little something like this)

    The narrator, Mark Twain, sees a catchy jingle in the morning newspaper. The jingle promptly attaches itself to his mind, such that he loses concentration and can no longer remember what he ate for breakfast, whether he ate at all, and what words he was going to use in his novel. The jingle mentally incapacitates him, until, a few days later, he takes a walk with his friend, the Reverend, and inadvertently transfers the jingle to the reverend’s mind. As this happens, Twain experiences a sense of relief, and returns to his normal life.

    Some days after Twain was cured, the Reverend visits him; he is in a terrible state, as the jingle, which keeps on repeating in his head, has already disabled his concentration. He tells Twain of some incidents where the rhythm of the jingle influenced his actions, such as when churchgoers started swaying to the rhythm of his homilies. Taking pity on the man, Twain decides to cure him, and brings him to a meeting of university students. The Reverend successfully manages to transfer the jingle from himself to the students, curing himself and, at the same time, continuing the diabolical cycle of the jingle.

  • Everything is easier in America…

    Apparently, you can even do a course on “How to be gay” over there!
    Check this out:

    >> A course taught by professor David Halperin at the University of Michigan has been getting some attention recently. “How to be Gay: Male Homosexuality and Initiation” examines “the general topic of the role that initiation plays in the formation of gay male identity” via writing, studying it as a “sub-cultural practice”, and conducting some sort of self-reflective class experiment.

    It’s actually a class that has been taught, and has inspired controversy and discussion, for a few years.

    “In particular, we will examine a number of cultural artifacts and activities that seem to play a prominent role in learning how to be gay: Hollywood movies, grand opera, Broadway musicals, and other works of classical and popular music, as well as camp, diva-worship, drag, muscle culture, taste, style, and political activism. Are there a number of classically ‘gay’ works such that, despite changing tastes and generations, all gay men, of whatever class, race, or ethnicity, need to know them, in order to be gay? What is there about gay identity that explains the gay appropriation of these works? What do we learn about gay male identity by asking not who gay men are but what it is that gay men do or like? One aim of exploring these questions is to approach gay identity from the perspective of social practices and cultural identifications rather than from the perspective of gay sexuality itself. What can such an approach tell us about the sentimental, affective, or subjective dimensions of gay identity, including gay sexuality, that an exclusive focus on gay sexuality cannot? At the core of gay experience there is not only identification but disidentification. Almost as soon as I learn how to be gay, or perhaps even before, I also learn how not to be gay. I say to myself, ‘Well, I may be gay, but at least I’m not like that!’ Rather than attempting to promote one version of gay identity at the expense of others, this course will investigate the stakes in gay identifications and disidentifications, seeking ultimately to create the basis for a wider acceptance of the plurality of ways in which people determine how to be gay.”

    Then there’s the alternative method: six beers, an off-campus party, and that hot freshman from down the hall you’ve been studying from afar. <<